Daily Hat Track: Roundup October 2019

First off before we get into the biggest Daily Hat Track summary of all time, I want to take a moment to make an announcement on scheduling in case you’re not looking at my Twitter. There is no longer a schedule. Now, that I’ve got myself a full-time job going on, there is absolutely no possible way I can keep up with one review a week, regardless of how motivated I am. And on top of that, the stress I’d receive from trying to review so much would get to me and make it impossible for me to enjoy reviewing. So, from now on, I’m going to be sending out reviews whenever I finish them in my free time. I’ll still be spending significant time reviewing. I’ll just have some longer breaks between longer reviews and maybe some shorter breaks when it comes to tiny reviews (One of the near future reviews is only 5 songs long so I can’t imagine I’ll spend excessively long on that one).

 

Not that anyone will notice but I’m also shutting down my Patreon. No one was really donating anyway, discouraging me from making any review previews and really just discouraging me from reviewing in general, because at this point in my life, it’s not looking to be really possible to just use this site as a launchpad into becoming a full-time creative. I’m already working on finding another route so we’ll see how that works in the future, but for now, this is going to be one of several hobbies that I’m simply doing for fun.

 

Anyways, it’s time for the October Hat Track Summary. Likely the longest Hat Track Summary I’ll ever do. September might not have existed, but I made October a double month to make up for it, even if it devolved into an early November onslaught of chaos at the end there. Let’s see what tracks got shared before that happened, and while that happened.

 

Daily Hat Track: October 1 track 1 (Danny Barranowsky – Mausoleum Mash)

 

One of the most iconic tracks from one of my favorite games thanks to it’s use in the opening cutscene and one of the game’s early levels. I honestly discovered the soundtrack before the game but I love both.

 

Daily Hat Track October 1 track 2 (Bliss – Blaze Up)

 

Bliss is one of the best psytrance artists in recent years, if not the best. He’s been on a roll for much of this decade. This release from last month, for example, is a lovely mixture of playfulness and badassery.

 

Daily Hat Track: October 2 track 1 (Seven Lions & Ciscandra Nostalgia – Serpents of Old)

 

This must be the oddest creepiest thing to come from Seven Lions as far as I know. And as someone who is quite a fan of the odd and creepy, I find this to be one of my favorites from him.

 

Daily Hat Track: October 2 track 2 (Saltillo – Following Evelyn)

 

Alright, let’s follow up the pleasantly ugly with the pleasantly gorgeous. I feel this song is my favorite from Saltillo, mostly thanks to the vocal samples about growth, change, and finding one’s place in the universe.

 

Daily Hat Track: October track 2 (Reliant K – The only Thing Worse than Beating a Dead Horse is Betting on One)

 

This is way outside my usual genre but can we just take a minute to appreciate how much Relient K was able to pack into a song that barely surpasses a minute?

 

Daily Hat Track: October 3 track 2 (Openwater & Matt Vice – No Regrets)

 

I guess today is a nonelectronic day as this one is more of an inspiring combination of orchestral, piano and a slight bit of rock. And it’s a worldview I really need to adapt if I’m going to move forward.

 

Daily Hat Track: October 4 track 1 (Sam Maher – New York)

 

I’ve really been getting into handpans as of recent and this is guy is my personal favorite handpan master. Here’s about six minutes of unique handpanning. Enjoy.

 

Daily Hat Track: October 4 track 2 (Shirobon – Regain Control)

 

I find Shirobon’s retro style quite interesting. This song about regaining control over one’s life (expectedly relevant to me) is a great example of Shirobon (Born Survivor is better but I shared that long ago).

 

Daily Hat Track: October 5 track 1 (Icon of Coil – Dead Enough For Life)

 

I haven’t posted a sufficiently existentially edgy song yet this month so this one goes out to the crippling depressive angst of getting stuck in a monotonous cycle with no eacape all while feeling dead inside.

 

Yay

 

Daily Hat Track October 5 track 2 (Rootkit & Anna Yvette – Against the Sun)

 

Probably favorite song from Rootkit, though I believe one influence of that could be that I believe Varien had a small hand in this as well. And considering Varien is one of my favorite artists of all time… Yup.

 

Daily Hat Track: October 6 track 1 (Assemblage 23 – The Noise Inside My Head)

 

The noise inside my head could possibly be a simple tune that turned out to be an earworm… Or is it the dark existential insomnia-inducing thoughts that appear so regularly that they’ve unfortunately become the norm?

 

Daily Hat Track: October 6 track 2 (Squarepusher – Mutilation Colony)

 

A beautifully ominous beginning eventually transforms into a distorted nightmare. An interesting unconventional journey.

 

Daily Hat Track: October 7 track 1 (Rotersand – Hey You)

 

I shared Rotersand’s Not Alone a long while back and I consider this to be its companion song. The music sounds quite a bit different and there’s a bit more dark was in there but the theming and structure are similar.

 

Daily Hat Track: October 7: track 2 (VNV Nation – Homeward)

 

Several of the recent hat tracks (as well as today’s review) have been focused more on a great personal meaning. That’s what happens when one is in a big transition in life. I just hope I can keep home in sight.

 

Daily Hat Track: October 8 track 1 (Aviators – The Path Home)

 

Remember when I’d reviewed Aviators’ Aeterno? Well, a couple weeks ago, the man released a remastered version of a few of the tracks off that album and many are a vast improvement. I think The Path Home benefited the most

 

Daily Hat Tracks: October 8 track 2 (Neilio – Captivating)

 

I don’t care much for the musical content of this Monstercat classic (hardstyle just isn’t my thing), but the lyrical content is a glorious illustration of my relationship with music so I quite enjoy the song otherwise.

 

Daily Hat Track: October 9 track 1 (Bruderschaft, Apoptygma Berzerk, Icon of Coil, VNV Nation, and Covenant – Forever)

 

What I love about Bruserschaft is that it’s four futurepop artists all collaborating all at once. And as a huge fan of futurepop I obviously enjoy that. And Ronan Harris from VNV Nation at the front is definitely a treat.

 

Daily Hat Track: October 9 track 2 (Lindsey Stirling – Shadows)

 

I’d originally discovered Lindsey when this song was featured in a video by Nerogeist called the guardian, which you should also definitely check out as I’d argue that it’s just as beautiful as this song.

 

Daily Hat Track October 10 track 1 (Beborn Beton – Another World)

 

This is way too catchy for it’s own good. Such a specific concept too with the singer being a spirit from the beyond the grave warning a loved one to leave his resting place alone, for he has found the afterlife.

 

Daily Hat Track: October 10 track 2 (Rameses B & Aloma Steele – Darkest Place)

 

This one used to be on my top ten Monstercat songs of all time though it admittedly has been slipping back a slight thanks to my attention being drawn elsewhere. My DnBias keeps me coming back to it though.

 

Daily Hat Track: October 11 track 1 (Neelix – Mosquito)

 

I’ve shared a remix of this song before quite a while ago, but I want to take a step back and admire the original version with its dramatic tension, danceable drive and distorted mosquito sampled synths.

 

Daily Hat Track: October 11 track 2 (Deltron 3030 & Del the Funky Homosapien – 3030)

 

I like to share a lot of songs depicting the future. Often they’re hopeful, bu this one is a bit bleaker. I never minded bleakness though long as it’s not too destructive, which this isn’t.

 

Daily Hat Track: October 12: track 1 (GUNSHIP – When You Grow Up, Your Heart Dies)

 

The title alone makes me a bit existential what with my dispassionate disposition towards the world of adulthood. But the song itself is a bit more uplifting than it might initially appear.

 

Also it has a sax so yes.

 

Daily Hat Track: October 12 Track 2 (Nana the Shrimp & DZA – Speedball)

 

Seeing as the song’s name is Speedball, it understandably fast paced despite not having an exceptionally high BPM. Though there is a switch up in the middle that allows for an interesting lightly accelerate tempo change

 

Daily Hat Track: October 13 track 1 (Nobody Beats the Drum – Natural Thing)

 

This song sounds more technological than natural so I’m not fully certain how well the title and vocals fit. But the song is a nice multileveled trip nonetheless.

 

Daily Hat Track: October 13 track 2 (Mahamudra – Shadows of Courage)

 

This song depicting a strangely ominous mixture of desperation and victory was hiding deep in the shadows of my musical memory.

 

It resurfaced recently.

 

And I’m so glad it did.

 

Daily Hat Track: October 14 track 1 (Le Matos – La Mer Des Possibilités)

 

Le Matos is one of many synthwave names I enjoy. I’ve chosen this song in particular to share due to its arpwork and the fact that the title translates to “The Sea of Possibilities.” A sea that I should look on with hope

 

Daily Hat Track: October 14 track 2 (Varien – Teva833)

 

I’ve established before that Varien is one of my favorite artists. The man has massive spectrum of moods that his song can adhere. And when it comes to the darker trippy stuff from him this song is certainly top notch.

 

Daily Hat Track: October 15 track 1 (Matduke – Shivers)

 

Another classic MC hard dance track (I shared Neilio’s Captivating earlier this month). But I prefer Matduke. And this is my favorite Matduke as it has the most satisfying variety of the early days of MC hard dance.

 

Daily Hat Track: October 15 track 2 (Rezonate & Ashley Apollodor – Rebirth)

 

My favorites from Rezonate are songs with a chill introspective perspective. This is the most uplifting of the bunch with extra focus on embracing positivity rather than letting go of negativity (there’s a difference).

 

Daily Hat Track: October 16 track 2 (Moby – Lift Me Up)

 

I heard Sesto Sento’s remix first (even though I was already familiar with Moby via Natural Blues and Why Does my Heart Feel So Bad).

 

This song is a much happier alternative to those two and it’s just as beautiful.

 

Daily Hat Track: October 17 track 1 (Tut Tut Child – Talking of Axes)

 

Talking of Axes is clearly appreciated by me as a song involving both rock elements and some good electronic basslines. And that’s not even mentioning the syncopation.

 

Daily Hat Track: October 17 track 2 (Juno Reactor – Pistolero)

 

Pretty obvious that the ever present guitar is the absolute star of the show in this one. Really sells the western vibe this song seems to aim for (everything else about the song is great too, but guitar is what I love).

 

Daily Hat Track: October 18 track 1 (INTERCOM – Truth and Malice)

 

My favorite nonInfected Mushroom song to make it on a MC Rocket League comp.

 

It transitions perfectly between beautiful stringed sections and groovy basslines sections seemlessly, likely thanks to the vocal chops.

 

Daily Hat Track: October 18 track 2 (Phaxe – Angels of Destruction (Neelix Remix)

 

I will likely eventually share every combination of Neelix and Caroline Harrison eventually as they sound so gorgeous together.

 

While this is no Makeup, it’s still up there among my favorites from the two.

 

Daily Hat Track: October 19 track 2 (Jilax & Durs – Conquer)

 

Continuing on a psytrance roll, I’m going to share a bit of a recently fresh psytrance track. There’s some nice dramatic near cinematic tension in places and whenever it’s building itself up, it does so nicely.

 

Daily Hat Track: October 20 track 1 (Grabbitz – Better with Time)

 

I’ll admit that I’ve lately felt stuck in that place where I’m seeing life as a boring movie, desperately hoping it all gets better with time.

 

Hence I enjoy this song.

 

Plus syncopation of course. That’s always loved.

 

Daily Hat Track: October 20 track 2 (Niteppl – Can’t Stop Now)

 

Seeing as I’d discovered  this song in my early Spotify days, this one feels like an inspirational classic to me. Sure the lyrics are a bit repetitive, but the funky vibe and piano bridge more than make up for it.

 

Daily Hat Track: October 21 track 1 (Absurd Minds – The Question)

 

Have I done a song yet on the nihilistic questioning of reality as we ponder the slow transition to dystopia that society is trending towards?

 

Well if not, here’s an example.

 

Daily Hat Track: October 21 track 2 (The Anix – Interferance)

 

A bit of an oddly creepy maybe edgily unhealthy love song from The Anix for this one.  Kind of like anything I’d expect off of FiXt. But there’s also just that hint of existential that keeps me coming back.

 

Daily Hat Track: October 22 track 1 (Altered Frequencies (Phutureprimitve edit))

 

I’ll be honest, I haven’t actually taken the time to listen to the original version of this one yet. But hey, I do know that Phutureprimitive’s edit has a great blend of sounds (including guitar) that hits the sweet spot

 

Daily Hat Track: October 22 track 2 (Daniel Deluxe – Darkness)

 

Darkness is unsurprisingly quite a dark song about eternal darkness. Go figure.

 

Thematically, I’d say it’s similar to Gunships’s Dark All Day, albeit this one doesn’t have a sax so it’s obviously the lesser of the two.

 

Daily Hat Track: October 23 track 1 (Neilio – Obsession)

 

Oh this song sounds nice and romantic at first…

 

At first…

 

Daily Hat Track: October 23 track 2 (Covox – Attack Vector)

 

I don’t know if I’ve ever really posted chiptune Hat Tracks that often. In the right hands some cool stuff can be made in the genre. Here’s one such song, albeit it’s the second half where the song really shines.

 

Daily Hat Track: October 24 track 1 (Lauren Bousfield – No Clocks No Mirrors (For Joey))

 

I’ve always loved Lauren’s fine line between the calm and the madness. And this song does a great job of bouncing back and forth in between the two extremes.

 

Daily Hat Track: October 24 track 2 (Tokyo Machine – TURBO)

 

This recent release is likely one of the only Tokyo Machine songs I truly enjoy. He just doesn’t fit my groove. I think I was in the right mood when first listened to this one as I was driving in the middle of the night.

 

Daily Hat Track: October 25 track 1 (Vexare – The Clockmaker)

 

I will admit that I prefer that calms and the moments of the ticking clock more than the main drop, but there is somewhat of a classic feel to this one. Not super dirty like some dubstep but it still hits nice and hard.

 

Daily Hat Track: October 25 track 2 (Carpenter Brut – Roller Mobster)

 

Been listening to an above average amount of Carpenter Brut as of late, likely one of the greatest artists of all of synthwave. Choosing one song to highlight is nigh impossible so I just grabbed one of his most popular.

 

Daily Hat Track: October 26 track 1 (Muzzy – Spectrum)

 

Easily one of my favorites from Muzzy. It has it all: beauty, intensity, meaningful lyrics. It’s just a lovely song that few, if any can top (maybe the Wrong remix but that doesn’t take the beauty cake)

 

Daily Hat Track: October 26 track 2 (Muzzy & Droptek – Warhead)

 

Long as I’m on the topic of Muzzy, here’s one of his most badass tracks. A collaboration with Droptek that feels as if it’s in the same vein as Endgame. And I love Endgame. So I love this.

 

Daily Hat Track: October 27 track 1 (Infected Mushroom – Cities of the Future (extended remix)

 

The best remixes have the ability to improve upon the original while still keeping the heart of what made the original so great. This is a great example of such a remix of a song I’ve already fully reviewed.

 

Daily Hat Track: October 27 track 2 (Ace Ventura – Hello?)

 

Imagine. You’re driving through the night listening to music, some new, some old. One of your favorite song ends with a good 5 seconds or so of near silence and then out of no where you hear it:

 

“Hello? Anybody here?”

 

Daily Hat Track: October 28 track 1 (Krama – Master of Elements)

 

This song served as my introduction to Krama, one of the best artists of Spintwist (other than Neelix of course)

 

Oh and this apparently has a quote from Doctor Strange in it. Didn’t notice at first but there it is.

 

Daily Hat Track: October 28 track 2 (SCNDL & Timmy Trumpet – Bleed)

 

Meme

 

Daily Hat Track: October 29 track 1 (Sesto Sento – Zoombai Warriors Surfing on a Small Chapati Sound in the East of Parvati (Megamix))

 

This insane mashup is made up of several songs by 9 different psytrance artists, including one of my very favorites, Bliss. Absolutely amazing piece of work right here.

 

Daily Hat Track October 29 track 2 (Savant – Change)

 

Multigenre songs with tempo changing switchups are some of my favorites. So what of this song? A full constant switchups multigenre cluster of fantasticality, constantly accelerating until the very end before breaking down.

 

Daily Hat Track: October 30 track 1 (Ehrling – Thokoloshi)

 

Ehrling is always a pleasure. Probably because saxophone is always a pleasure. And Ehrling nearly always has a saxophone present. Like many of his songs I love the bouncy sax vibes the song has to offer.

 

Daily Hat Track October 30: track 2 (Wisp X & Xomu – Lumina)

 

Now the reason I’m particularly enjoying this song isn’t because it’s breaks (though syncopation is still expectedly awesome, but it’s because it had some gorgeous piano melodies at the forefront.

 

Daily Hat Track: October 31 track 1 (Direct & Mr Fijiwiji – LA2016)

 

Direct and Fijiwiji are always a great combo, but I’m honestly just here.for the vocal chops.

 

Daily Hat Track: October 31 track 2 (Savlonic – Computer Guy)

 

Sir Weebl, the main man behind Savlonic may be responsible for memes, but this one is so incredibly catchy that I’ve gotta throw back to it. And it’s slightly more serious than his more well known stuff.

Bliss – The Rhythmus Gene (2005 album)

Bandcamp: n/a

Soundcloud: https://soundcloud.com/blisslive/sets/the-rhythmus-gene

Spotify: https://open.spotify.com/album/00nvFS8x2O6fR9KD6QODP7?si=ltEwTWI7ShKIXHYLu0aQyA

Youtube: https://www.youtube.com/playlist?list=OLAK5uy_kMONMGpiXUiLdoKVVVytq4emgic9raziU

 

Introduction: I have returned.

 

Looks like we’ve got another new artist today. So, I guess that calls for an artist introduction. This ten-song album serves as the debut of Bliss, one of my top 3 psytrance artists, the other being the subject of my first review, Infected Mushroom and the other being an artist I have yet to introduce. I’ll save him for later. For now, I’d rather focus on Bliss.

 

 

 

Bliss – The Love Hack (6.25): What is the love hack? The secret to fulfilling our desire for acceptance in this world? Well, it could be something existential like I’ve just described (I do tend to latch onto such interpretations) but it could also just as easily be about Bliss’ secret to making music that I love. A mysterious hack indeed. Well, perhaps not entirely mysterious. I am able to put into words why I like this guy.

 

This song, as well as many of the other songs on this album focus a lot on the classic psytrance vibes, similar to the Infected Mushroom albums I’ve reviewed so far, though this came out shortly after the early Infected Mushroom years. That being said, Bliss is still recognizably different from Infected Mushroom, concentrating more on throwing heavy energetic basslines into the mix rather than the more mysterious soundscapes that Infected Mushroom focused on in early years.

 

This song is a decent introduction to Bliss’ style, mostly due to the fact, that I don’t have too much exceptionally special to talk about it. It simply fits in with the rest of the usual Bliss soundscape. It has the grooviest possible psytrance bassline and a drive that pushes the song forward, but I don’t feel it does all that much from point A to point B. There are a few moments that stand out in the second half. The build-up around three quarters in takes on a slightly different chord progression than the rest of the song and leads into a good finale, but the rest of the build-up just wasn’t exceptional.

 

It sounds like I’m a bit harsh, but there’s just so many other tracks that will display Bliss’ skill better. This beginning is just a slight bit underwhelming in comparison to what’s to come.

 

Bliss – No Gravity (7.5): So, by the title, I would assume that this song is going to float, but that begs the question. Why does this track have such a good bassline grounding it? The last bassline was definitely groovy, but this one seems to dig a slight bit deeper somehow. While never truly the main focus of this song beyond the first couple minutes, the bassline always makes its presence known, even if it has to compete for my attention?

 

Which brings us to the competition. It all starts about a quarter into the track, with the development of some glitchier bassy instruments that develop over time. They eventually trade the spotlight with some more melodic synths along with some whispering of the song’s title: No Gravity. And while the bassline may have originally defied the idea of lacking gravity, the synth introduced about three quarters in after the whispering ends serves as the true weightless highlight to the song, easily losing one’s consciousness briefly into the song, before emerging with a few other new melodies that bring the song to an eventual close. This song is definitely more of a journey and I feel it’s definitely well deserving of the eight minutes it’s given.

 

Bliss – Upside Down (7.5): This song’s introduction is the strangest beginning that this album has to offer. The first thirty seconds have a bit of a minimalistic feel to it. With one oscillating tone slowing down to reveal a synth that must perform a solo until the rest of the song has a chance to catch up. It’s an odd introduction to be sure, but it definitely leads to an interesting technological build-up filled with acceleration and a healthy amount of distorted variation on that original first melody.

 

And really, that distorted variation makes up the majority of what this song has to offer. Not saying that that’s a bad thing and that the song needs more, because Bliss does plenty with said variation that, like No Gravity, makes the song worth its eight-minute runtime. I think my favorite area has to be the section surrounding the three quarters mark of the song, as it features the most drum variation and serves to be one of the more interesting moments the song has to offer. And there was definitely some stiff competition from the odd beginning to the moment in the end where the song deconstructs itself into oblivion (Yes, the conclusion is even weirder than the introduction. Go figure.)

 

Bliss – The Rhythmus Gene (7.75): And now for the titular track of this album: The Rhythmus Gene. And this psytrance bassline does definitely do a good job of proving that Bliss has rhythm is in his blood. In his DNA.

 

In his genes.

 

But don’t worry about that. One doesn’t necessarily need to have rhythmus genes within themselves to enjoy this song. As the vocal sample says, “Things don’t always go as you expect… Sometimes, it’s more fun to throw in a few more unplanned twists.” This song does just that in the second half with a good focus on an entirely separate bassline, this one less traditional for a psytrance song. Instead of the usual rapid constant groove, this new bassline has a bouncier feel to it and it’s accompanied by a long rising tone that allows the song to build up. The preceding more traditional psytrance half was good as well, but I feel like it’s this second bassline and the way it meshes with the rest of Bliss’ psytrance style that really makes this song work.

 

Bliss – Dirty Boy (7.25): Oh yay. Dirty Boy is one of those songs. I mean it’s not a surprise, considering the song’s title, but the vocals used in this particular song are a slight bit seductively suggestive. It’s not a deal breaker, and I’m sure this style appeals to some people, but it’s just not for me. Thankfully, her odd moans and whispers aren’t incredibly present throughout most of the song and the rest of this song’s content is actually some of the best the album has to offer (outside of a couple of other songs). The bassline, as usual, is at a maximum groove factor and there are some good synths here and there that seem to be a bit common in Bliss’ debut album.

 

The best parts of this song have to be the guitar that plays throughout the first half. Unfortunately, it becomes a bit absent as the song continues and focuses more on this lady’s speed preferences and some twist contest that we’ve all been waiting for, but there is thankfully a bit of an extra funky groove to take over and keep the song interesting. It doesn’t truly feel the same as the guitar, but it still keeps the song fun and enjoyable up until the last thirty second outro that allows the guitar to lead us out with

 

I still think I’d like it a bit more without the vocals though. Just my preference.

 

Bliss – Pause (6.75): I’m going to be brutally honest here, a lot of this song sounds so very similar. And repetitive. There’s very few moments where this song decides to deviate from the psytrance norm (though the second half is lightly better), which does make it a slight bit less enjoyable to listen to, but thankfully, the moments that do stand out are definitely quite enjoyable. Interestingly, each of these moments are relatively evenly spaced with one at the beginning, one in the middle and one in the end. Let’s take a look.

 

First off, it’s important to note that the first few seconds of a track can create an image in the mind that will affect the general tone of the song. This particular song opts for the creep factor focusing a lot on eerie ambience, simple melodies and an echoing artifact introduced not long before the song pick up. This intro serves as one of the better portions of the songs, before it reverts to some usual not all that risky psytrance with a cameo of the original creep melody (which seems to lose a slight bit of its effect with the bassline, but it keeps the song alive.

 

The next divergence from the usual occurs when the song begins to slow down, accompanied by a vocal sample of those very two words I’d just mentioned “Slow Down.” And for the namesake of this song, it slows down to a pause, starting the track off from the zero. Allowing a bit of a build-up from nothing in a way. I mean the song did just screech to halt (or pause, if you will) and left the song with a second or two of silence. Anything from there would be at least some sort of build-up from literally nothing.

 

Anyway, the build-up from nothing does, as you’d expect, serves as my favorite part of the song. With the bassline and drumbeat hidden away softly into the background, the other distorted slightly bassy instruments get a chance in the spotlight slowly building up to a point where the song can return to its full psytrance form, with a few more good moments throughout as the song continues to build with some variety with the instruments from the build-up as well as a few notes that slide up in pitch to bring a bit more energy. All until the song begins to fade out.

 

Bliss – Tidal Waves (5.75): Tidal Waves definitely has some oceanic themes to it. How do I know this? Well, there’s a bit of evidence pointing to this theory of mine than just the tidal title. Also, there are repeated mentions of sharks throughout the song. You may be asking what the sharks are doing. And I will admit that that is a good question. Unfortunately, it’s been a bit difficult to try and find the source of these vocals, so I’ll have no original context, but from hat I can parse, it sounds like consuming mushroom puts you in a mindset as if you were a shark. Now, I’ve never consumed mushrooms, and I’ve certainly never been a shark, so I can neither confirm nor deny that this is the case, but that’s how this song continues its oceanic themes.

 

The final element of oceanic theming is the song’s flow. I am definitely forcing this pun, because pretty much all of the songs on this album have a good flow, many better than this one. But good flow is just something Bliss does well. The drums are bit more prominent here than in other songs, but the bassline more than makes up for it by making its presence known as well. The rest of the melodies are mostly absent, meaning this song doesn’t really have much to stand on to keep me interested. It’s by no means bad, but I see no reason to come back to it.

 

Bliss – Monitor Access (8): Now, of all the songs, on this album, this one is the most familiar to me. Of course, it does have to do with my Spotify listening habits. I have occasionally dabbled in the This Is <insert artist here> playlists and when it comes to Bliss’ version, this is the only song from the Rhythmus Gene that made the cut. The playlist instead focuses a lot on his singles and collaborations (tons of collaborations with Azax Syndrom). To be perfectly honest, I do enjoy the rest of the playlist a bit more as his singles focus on a slightly more modern 2010s style for Bliss that I happen to enjoy a bit more than the contents of his albums.  Not saying that Monitor Access and the rest of Rhythmus Gene is bad. As you can see so far in this review, there’s plenty of good stuff to offer and I’d argue that this song quite deserves to be highlighted as one of Bliss’ best. At least, it’s certainly my favorite on the album.

 

Anyways, enough introduction about the fact that this song is worthy of being declared good. The important part of these reviews is why I (and Spotify’s users apparently) consider this to be the best song off of Bliss’ original two albums. Honestly, a good chunk of that has to do with the sheer variety this track has to offer in comparison to the last two. Pause had some interesting elements to it, and I did roughly enjoy Tidal Waves more than some of the lesser tracks of the album, but nothing comes close to Monitor Access.

 

I’ve quite taken a liking to a good melody developing over a psytrance beat, as evidenced in other songs I’ve spoken of like Upside Down off this album or Meduzz off of Infected Mushroom’s IM the Supervisor. This song is no different, focusing on one melody in particular throughout the song as it transforms over time along with the rest of the soundscape. This especially begins to pick up momentum at about three and a half minutes in where the melody has a solo with no bassline or drums to interrupt, followed by an amazing rising chord progression. The most transformative portion occurring at about 6 minutes in where it changes entirely from its normal cleaner tone to match with the song’s secondary bassline as it plays alongside the main psytrance bassline. In fact, the are other points in the song where the main melody and the bassline work in tandem with each other to create a shift in the chord progression which I also like.

 

Also, I wrote down in my original notes that there was syncopation somewhere in the song, but now I can’t seem to find it. I guess that just means that I was rocking to the beat so hard I just assumed it was my favorite type of beat. Regardless, this song does prove to be the best on the album and does indeed deserve its spot on the “This is Bliss” playlist.

 

Bliss – Miracle Whip (6.25): Like the mayonnaise? I don’t really like mayonnaise though. And I have to deal with 10 full minutes of it? Oh joy. Longest song on the album is about a condiment that I’d prefer not to consume. Does it at least make its ten minutes worthwhile musically? Well…

 

The song starts off strongly enough with a piano setting the mood in the introduction of the song, with a creep factor similar to how Pause started out. I feel like it devotes itself more to the creepy vibe throughout the song than Pause. But Pause had a few more enjoyable moments, so that kind of evens out with the creepy advantage. The main thing this thing has to offer is that piano intro and its reintroductions later into the song. It’s the only thing that sets it apart from the rest of the songs on the album and the new melodies it plays at the end, make for an excellent conclusion. The rest of the song’s development?

 

Unfortunately, the majority of this song is missing the piano glue that holds this song together. I think a lot of that has to do with the absence of a main melody to truly develop. There are some distorted synths jumping around here and there and a couple of one note melodies, but other than that, there’s not much else for the song to offer.

 

It’s just not as good and juicy and fun. Guess I better find Bliss and inflict some pain on him.

 

Bliss – Spaceless (7.75): As we near the conclusion of this review, we have one final song from Bliss, Spaceless. This song, like many of the others on the album, spends a good amount of its time catering to the general psytrance elements. You can tell straight from the beginning with the vocals sample that we’re in for some psychedelic fun. And of course, it’s followed by speech in the middle rambling on about some trippy existential topic that one might focus on when on drugs, or when you’re me. I think about this kind of stuff all the time. This one focuses a bit on entropy… Is the inevitable deconstruction of all of reality a bit depressing? Sort of. But we’ve got more relevant problems to worry about in the present than reversing entropy. Though if someday we can learn how to defy entropy… Actually, I have no idea what will happen, this whole concept is out of my field of expertise. My true job here is to explore the music.

 

So, let’s dive into the music of the rest of the song. Does it have anything special to offer? Well, I will admit that this does strangely sound a bit like some of Infected Mushroom’s early work with tons of distortion, and a few extra percussion elements, like the bongos that appear about two minutes in. There’s no true melody to this song (except maybe a couple subtle elements, during the occasional calmer portions of the song), which does make it a bit trickier to enjoy in my opinion, but it still does have a good distorted feel that gives the song a tiny bit of flavor.

 

However, I think the best part of this song is the bassline. This song goes a bit beyond the iconic psytrance bassline at the midpoint and conclusion of the song, and it spends these moments with a slight bit more of a groovy bassline, making these short sections, my favorite moments within the song. And seeing that the second iteration of this bassline occurs at the end, it seems this album has ended on a satisfying note.

 

Conclusion: And so, ends the beginning of Bliss. This album is a bit lesser than some other recent reviews, but it seems that quite a few of my favorite artists do have subpar debuts. Usually, at the conclusion, I’d spend a little bit of time summing up my thoughts of the album as a whole, but there simply isn’t much to talk about. It’s a good debut, doing a bit better than Infected Mushroom’s debut, but there is, of course, more to come from Bliss. And what’s to come is quite a lot better.

 

Final Score: (7/10)

Daily Hat Tracks: June and July 2019

Here’s a double Daily Hat Track wrap up for both June and July. Due to motivational issues, I had done a poor job of keeping up on these until last week. And because of that, I’ve decided to just slide the Hat Tracks from July over to June. So today you’re getting one large post reviewing about 5 dozen smaller posts I’ve Tweeted over the past 2 months. Let’s all agree (and by all, I mean just me. I’m the only one in control here) to never let things get out of hand again.

 

Daily Hat Track: June 1 (Yahel – Fear of The Dark (DNA Remix))

 

A psytrance remix of a breaks cover of an Iron Maiden song. Neat. Now all we need to do is mash it up with jazz or something like that.

 

Daily Hat Track: June 2 (Veorra – Run)

 

Veorra’s most popular track is about the never-ending run as we struggle to keep with society’s expectations. Surprisingly not my favorite but still well deserved.

 

Daily Hat Track: June 3 (Celldweller – End of an Empire)

 

I promised I wouldn’t overwhelm the blog with Celldweller again for a while but I can squeeze the occasional awesome societal existential track from the far future of my reviews. This is among the best Celldweller songs.

 

Daily Hat Track: June 4 (The Crüxshadows – Deception)

 

Honestly, I just love how this particular song from my extra edgy phase is held up by the violin. Lyrics aren’t too shabby, but it’s clear what the best part of the song is for me nowadays (hint: it’s the violin)

 

Daily Hat Track: June 5 (Forest Knot – Hendrix)

 

Is this Hat Track late because I am severely disorganized or is it early because this lovely chill sax song wasn’t released until the 7th?

 

Daily Hat Track: June 6 (Bassfactor – The Power Inside)

 

This recent breaks/psytrance combo got me out of breath when running to my recent dentist’s appointment. Bassfactor seems to be brand new to the scene but I’m definitely looking forward to future works.

 

Daily Hat Track: June 7 (Test Shot Starfish – In the Shadow of Giants)

 

Music from Space indeed. I’ve only just begun looking at Test Shot Starfish’s discography and I’m already enjoying this chill mood that sounds as if it’s descended to Earth from the cosmos.

 

Daily Hat Track: June 8 (Carface – Hitchin’ a Ride)

 

Definitely take a listen to the self-destructive 13 minute experience. That’s all I’m willing to say here, other than a warning that this may get a little strange.

 

C H E C K T H E T A P E

 

Daily Hat Track: June 9 (redo) (Globus – Europa)

 

That’s no typo. This two month old Hat Track was accidentally a repeat, so now I’m going to share the vocal version of Electric Romeo which depicts war over history

 

Daily Hat Track: June 10 (Rezonate – Canvas)

 

I’m not sure how, but outside of the “still 18” line, this song of existential pondering gets more and more relatable every summer.

 

Daily Hat Track: June 11 (Pegboard Nerds – Emergency)

 

Hard to believe that this came out over four years ago. Every once and a while I come back to these nostalgic Monstercat songs and find myself amazed at how well they hold up. This one was, is, and always will be a banger to me

 

Daily Hat Track: June 12 (Rogue – Night After Night)

 

Knights on Horseback ride in and are allowed in the distance by a chariot, basically a parade float of a giant Monstercat logo. They get off their horses and flank a crystal throne. The chariot makes its way in and a young man dre

 

Daily Hat Track: June 13 (Aphex Twin – Vordhosbn)

 

Release Radar screwed with me saying this was new, but it’s really a 2 decade old song placed on a compilation that was released recently. But that’s fine. Aphex Twin is always a treat.

 

Daily Hat Track: June 14 (Camo & Krooked – Black or White & Tasha Baxter (Kimyan Law remix)

 

Favorite remix of my favorite Camo & Krooked track. Why? It’s complex, it’s mysterious, it has an edge of unsettlement. And it still uses the lyrics of anti-division and the grey area in between opposing ideals.

 

Daily Hat Track: June 15 (Gunship, Tim Capello & Indiana – Dark All Day

 

Saxophone.

 

Also there’s that music video with vampire zombies and lots of hot people and it’s the best animated music video ever

 

But saxophone.

 

Daily Hat Track: June 16 (The Flashbulb – Undiscovered Colors)

 

A gorgeous trippy song, both fast and slow once the drums start. Piano, strings and a drumbeat full of mysterious energy. Each moment is both unique and fantastically similar at the same time. This song is the best kind of paradox

 

Daily Hat Track: June 17 (Gunship – When You Grow Up Your Heart Dies)

 

I know I posted Gunship not too long ago, but the song immediately following Dark All Day (while not as great cuz less sax) does have a message of trying to hold on to your identity as you grow up. I need this these days.

 

Daily Hat Track: June 18 (Haywyre – Sculpted)

 

Heading back in time today to an early Haywyre song exploring the existential questions of self identity, whether nature or nurture applies and exactly how much control we have over who we are. Also it’s hella funky.

 

Daily Hat Track: June 19 (Pegboard Nerds & lug00ber – Bring Me Joy

 

Probably my favorite modern Pegboard Nerds track. The second half is especially energetic with the best piano melodies and arps. Honestly, there’s nothing deep about this song. It’s just fun.

 

Daily Hat Track: June 20 (Bicep – Rain)

 

I’m reviewing my favorite arpeggiated artist right now, but I’ll honestly enjoy any song that had even the mildest arpeggiated feel. Recently I’ve discovered Bicep and the simple drive of a song called Rain.

 

Daily Hat Track: June 21 (Alex – Demons):

 

Hey, that’s my name right there. Some nice slow synthwave. Good relaxing vibe despite the ominous demonic title.

 

Daily Hat Track: June 22 (Rival Consoles – Amiga)

 

Arpeggiated madness in the second quarter, flawless tempo change in the third quarter. I mean, I love the beginning and end of the song as well, but that middle half is absolutely spectacular.

 

Daily Hat Track: June 23 (Rival Consoles – Guitari)

 

Can I share two Rival Consoles songs in a row? Because I also really like the funky vibe that Guitari gives me and I really want to share this one too. It’s got nothing on Amiga but it’s still great.

 

Daily Hat Track: June 24 (Joachim Pastor – Joda (Worakls remix)

 

Oh the strings and piano on this one are absolutely gorgeous. Yeah all of hungry music is great, but when the upper two thirds (sorry N’to) join forces I expect nothing less than a masterpiece. And they definitely delivered.

 

Daily Hat Track: June 25 (Koan – Coastline)

 

Someone rinsed me of Koan today so here I am sharing one of my favorite beautiful, relaxing, and immersive journeys from Loan. Enjoy.

 

Daily Hat Track: June 26 (Lange – Violins Revenge (Light Mix))

 

Violins revenge is quite simply a track that utilizing the violin masterfully. That’s all I’ve got to say for this one.

 

Daily Hat Track: June 27 (N’to – The Morning After)

 

I’ve always liked all of Hungry Music but I’ve considered N’to to often be one of the weaker links of the trio. However his most recent release is making me appreciate him a bit more.

 

Daily Hat Track: June 28 (Lange – Crossroads (Percussive Mix))

 

Not as good as the Mindinabox song titled Crossroads of course but still a great track about making choices that can change one’s life forever. Beautiful from Lange as always.

 

Daily Hat Track: June 29 (Infected Mushroom – Kebabies)

 

This New Infected Mushroom track released recently really has a BP Empire vibe to it.

 

Daily Hat Track: June 30 (Assemblage 23 – Drive)

 

The demons I’m driving from is procrastination fueled depression and depression fueled procrastination. I must change that.

 

Good song from Assemblage 23 though. A futurepop artist I have yet to introduce you all to, until now.

 

Daily Hat Track: July 1 (Dance With The Dead – Diabolic)

 

It’s 2 in the morning so I should be in the bed but here’s some late night synthwave for anyone who’s still up for some reason. Unless you’re British or something, then your wakefulness makes sense.

 

Daily Hat Track: July 2 (Koan – Uncloak (Ghost Rider remix))

 

I’ve shared a couple of Koan track’s but this right here was the moment of Koan discovery. Yes, it’s a Ghost Rider remix but that’s just what happens when you’re a psytrance maniac like myself. Beautiful track though.

 

Daily Hat Track: July 3 (Lauren Bousfield – Slow Slicing (Klonopin))

 

Really running behind on everything. Here’s a small step towards catching up with some trippy Lauren Bousfield combined with some wonderful strings.

 

Daily Hat Track: July 4 (Makeup & Vanity Set – Implant)

 

Makeup and Vanity Set had a good variety of synthwave, some upbeat and some slower. So here’s one for starters that I’ve listen to a few times recently due to its arps, simplistic melodies and occasional relaxing vibes.

 

Daily Hat Track: July 5 (Durs – Avalance)

 

I’m always up for loving some Spin Twist psytrance so seeing a whole new Durs album. Is quite enjoyable. Good use of that psychedelic pluck in both the calmer and driving portions of the song. Plus a few fun little vocal parts.

 

Daily Hat Track: July 6 (BT – Tokyo)

 

BT isn’t as consistent as Flashbulb but there’s still some good trippy chill in the BT discography

 

Daily Hat Track: July 7 (BT – Artifacture VI. Niente di Tutto Qualcosa)

 

Sometimes I wonder…

 

Daily Hat Track: July 8 (Chicane – Come Tommorrow)

 

Spiritually introspective or existential observations of society… Perhaps it’s both, perhaps it’s neither and I’m projecting. But the song captivates regardless.

 

Daily Hat Track: July 9 (In Uchronia – Growling Earth)

 

Guess I’m in some sort of orchestral cinematic mood as of late. I mean this has nothing in common with that Varien in album other than it being a bit cinematic with a slight bit of dubstep but both are still amazing

 

Daily Hat Track: July 10 (Haken – The Endless Knot)

 

Trying to expand slightly beyond my electronically dominated comfort zone, so here’s a bit of prog metal that I’d recently found. Of course the fact this song has a lot of focus on finding life’s meaning, I’m automatically into it

 

Daily Hat Track: July 11 (Zimmz – Sinematic)

 

For the most part this is just a track with a solid drive, but you know I love me some Hungry music. Not his is Hungry music. It just resembles hungry music. Also this one has an accelerating build-up, so you know, awesome.

 

Daily Hat Track: July 12 (Sokrates & Supersonic – Stardust)

 

I know that this is like every trance song but the message of our relationship to the universe in this one really gets to me, yaknow? Also there’s a fantastic syncopated breaks section in there so that’s always cool.

 

Daily Hat Track: July 13 (Noma – Brain Power)

 

I know this song is a meme of old, but it still bangs hard. Love the extra slow chaotic dubstep section that eventually transforms into DnB spoon after.

 

Daily Hat Track: July 14 (Bliss – La Resistance)

 

Lyrics are a bit more violent than the last psytrance song I Daily Hat Tracked, but I love Bliss’ psytrance style so much, I don’t even mind. Dude is one of my favorite psytrance artists behind Infected Mushroom and perhaps Neelix

 

Daily Hat Track: July 15 (Wolfgang Gartner – Illmerica)

 

Second attempt at sharing this song due to unreliable technology. I’m lazy and pissed so here’s a bullet point list of what I wanted to say

 

A: Good funky vibe

B: Nostalgia because dead community

C: Should listed to Wolfgang more

 

Daily Hat Track: July 16 (Arctic Moon – Cyberpunk)

 

Good trance song with a lovely title as I associate cyberpunks with fantastic because I love Mindinabox. It sounds nothing like Mindinabox but the distorted vocals and heartbeat are still cool.

 

Daily Hat Track: July 17 (Bionix – Genesis)

 

Lots of psytrance I know, but it is one of my favorite genres after all. you’re going to half to deal with it. Besides this one has inspirational speed he’s up to par with Bliss – Warriors and I love that one and this by extension

 

Daily Hat Track: July 18 (Rezz & The Rigs – Lonely)

 

I haven’t really delved into the rest of Rezz’s new EP yet as I’m usually more attracted to the more existential vocal tracks than the instrumentals, but this is the best Rezz since Melancholy so that’s pretty fantastic.

 

Daily Hat Tracks: July 19 (Aesthetic Perfection – The Ones)

 

Surprisingly, this isn’t the only song I know that discusses how difficult it is to fall asleep when you’re too bust fearing that someone is gonna come and steal your teeth. And the other one isn’t even by the same band.

 

Daily Hat Track: July 20 (Stephen Walking – Porkchop Express)

 

Here’s a fun doubly nostalgiac tune from Mr Walking. Not only does it.bring me back to 2015, but the song itself also vaguely reminds me of a video game from my childhood. That bouncy piano is just a pleasure to listen to.

 

Daily Hat Track: July 21 (Night Club – Survive)

 

Beautiful suspenseful paranoid existential music is how I survive.

 

Daily Hat Track: July 22 (Grabbitz – Way Too Deep)

 

The chorus of this song has been all too relatable lately. Definitely Grabbitz’s best along with Better With Time.

 

Daily Hat Track: July 23 (Malecka – Rhéa)

 

Another gorgeous progressive house song that reminds me of Hungry Music without actually being Hungry Music. I find myself enjoying these beauties often due to how calming they are.

 

Daily Hat Track: July 24 (In Uchronia – Asconoid Hyperdelicacy of Heroicalness)

 

The main reason I want to share this one is because the title implies that the album’s titular iron squid is eating heroes alive. The fact that the song itself, is a great fusion of rock, orchestral and dubstep is just a bonus.

 

Daily Hat Track: July 25 (Phaxe & Morten Granau – Lost)

 

Can’t keep me away from the existneital psytrance forever. This one is about feeling lost in the world, though I guess that one was pretty obvious from the title.

 

Daily Hat Track: July 26 (Notaker – The Storm)

 

One of the better Notaker songs. In fact, I say this is the only one that can measure up to his Monstercat debut, Infinite.

 

Daily Hat Track: June 27 (Crazy Astronaut – Sate)

 

I’ve already shared my favorite Crazy Astronaut track on here a while back but here’s number 2, the main synth holds a lot of energy even in the slower dubstep portion. Actually, especially in the slower dubstep portion.

 

Daily Hat Track: July 28 (Mystical Complex – Future Nation)

 

Here’s a psytrance song pondering the future. Original idea? Not exactly. But the music is quite impressive anyways and I can’t help but always be impressed by psytrance like this. It’s in my bones.

 

Daily Hat Track: July 29 (Francys – Arcenial)

 

Evenly driven, mysterious, slightly trippy, beautiful, soothingly calming. All things I hungrily enjoy.

 

This isn’t just a pun on Hungry Music . I legitimately need to eat. But I’m almost caught up.

 

Daily Hat Track: July 30 (Roman Messer & Cari – Serenity)

 

I’m not the biggest fan of breakup songs but Roman Messer had a good vibe anyways and this is recent so I’m sharing it and that’s that. Enjoy if you may.

 

Daily Hat Track: July 31 (Haken – The Architect)

 

And to finally finish up July, we have an incredibly long progressive rock journey through sound from Haken. 15 minutes may be long but the song itself easily makes it worthwhile with it’s variety.

 

As always you can check out all Daily Hat Tracks in the playlist below

 

https://open.spotify.com/playlist/4CIZYAQAzctqYqFG89HIv2?si=vNZPS0uETkyobpBBDEAP_g

 

Daily Hat Track Roundup: April 2019

Alright, it’s been May for precisely a week, and I still haven’t posed a summary of all the Daily Hat Tracks for April. If you’re following me on Twitter, then this post will be kind of useless to you as I’ve already posed all of these songs and their descriptions on Twitter. I aim to do so daily, but every once and a while, I slack off and later post an obscenely large amount of them in one day. Anyways, here’s thirty songs I enjoyed listening to over the past month so perhaps you can enjoy them as well. Check out the playlist at the bottom to hear all of the Daily Hat Tracks of the year.

 

Daily Hat Track: April 1 (Combichrist – The Evil in Me): This is basically the edgiest I can go before the edge starts to be a detractor rather than a positive aspect. Has that nihilistic mood for the darker times, though it doesn’t cross any lines.

 

Daily Hat Track: April 2 (Bliss – Warriors): I’ve already shared the Guitar remix a month or so back. I was originally introduced to that one and find it a bit more addicting. This one has some cool parts too, but it’s not nearly as good as constant guitar solos.

 

Daily Hat Track: April 3 (Bring Me the Horizon & Grimes – nihilist blues): I’ve been listening to a lot of edgier music as of late. Should probably work on rebalancing my musical diet, but eh this dark vibe is where I’m at right now. There’s a nihilist knocking on my door… And he shares my face…

 

Daily Hat Track: April 4 (Shirobon – Born Survivor): Definitely a nostalgic inspirational tune from a few years back when things were a lot simpler (though still kinda complicated). Good chiptune mood in this one. Has a nice bounce to it.

 

Daily Hat Track: April 5 (H.U.V.A. Network – Something Heavens): It’s incredibly late and so I desire to end the day with some relaxation from the immersive heavenly experience that is H.U.V.A. Network. Good night to all. May your dreams be of something heavenly.

 

Daily Hat Track: April 6 (Seven Lions & Jason Ross – The Sirens: Oh yeah, I forgot about this psytrance/psystep wonder Seven Lions released last year. Looks like there’s a compilation with an extended version out now. Neat.

 

Daily Hat Track: April 7 (Douglas Holmquist & Susanna Lundgren – Something Beneath): The fact that this beautiful inspiring track comes from a Pinball game still astounds me. Then again, Pinout is a very interesting spin on Pinball, so it deserves it.

 

Daily Hat Track: April 8 (Nömak – Schrödinger’s Cat WLP Edit): Here’s a very strange trippy experimental track that breaks apart halfway through to return as something completely different. Such an odd song. I love it.

 

Daily Hat Track: April 9 (Lauren Bousfield – Two Swans Duct Taped to the Side of the Coke Machine): Long as we’re doing experimental madness, here’s a shorter fascinatingly enjoyable mess from Lauren Bousefield. The song title isn’t shorter though. Not short at all.

 

Daily Hat Track: April 10 (Varien – Born of Blood, Risen from Ash): This one’s only about a week old but the combination of 2012-2024 Varien and 2026 – 2018 Varien really works here. Really looking forward to everything else Varien has coming for us over the next year.

 

Daily Hat Track: April 11 (Freezepop – Phantoms): I have no idea what this song is about. Well I know it’s about a post mortem dance party but other than that I’m at a loss. Fun song though!

 

Daily Hat Track: April 12 (Stephen & IN-Q – Start a Fire): Not my usual genre to post but Stephen does occasionally dip very slightly into electronic with a synth here and there. This mostly acoustic intro to his album is among my favorites from him.

 

Daily Hat Track: April 13 (Joachim Pastor – Reykjavik): Been a while since I posted some Hungry Music. Joachim Pastor with a chill drive as always. Good funky grooves. Beautifully mysterious melodies. Odd outro for a hungry song but I don’t really mind.

 

Daily Hat Track: April 14 (Arkasia – Those From There): Not an Arkasia expert, so I can’t necessarily compare this to songs from the rest of his discography, but this one certainly is magically immersive. Love the subtle vocal flavors added here and there.

 

Daily Hat Track: April 15 (Andy Blueman – Sea Tides): Honestly kind of tired tonight so here’s the trance track that started this week’s Discover Weekly on Spotify. Don’t have all that much to say about it. My reviews are thousands of words long. Let me be lazy on occasion.

 

Daily Hat Track: April 16 (Inofaith – Dawn is Late): I’m up a bit late tonight though not as late as this song suggests. This comes from the same EP as Nocturne which I posted a while back. Inofaith has released only a handful of tracks but this one is among the best of them.

 

Daily Hat Track: April 17 (Ashbury Heights – Science): If I had made a list of the best songs of 2018, this would have been near the top. One of my favorite Ashbury Heights songs as well, though The Looking Glass Society has some better ones. Anyways, this song is about depression!

 

Daily Hat Track: April 18 (Space Buddha – Mental Hotline): Mostly sharing this because I find the voice at the beginning of the song to be an amusing asshat. The rest of the track bangs though. If you do need help with mental issues, call a hotline if need be. Just don’t call this one.

 

Daily Hat Track: April 19 (Hilight Tribe – Esperanza): I’m trying to maybe finish up my review by the end of the day so um here’s a groovy trance song with a guitar. Enjoy that for nine minutes why don’t ya?

 

Daily Hat Track: April 20 (Neuromonakh Feofan – Ядрёность): For the track that was supposed to be posted on my birthday, I would like to share this Russian DnB and dubstep. I always find this band to be incredibly interesting.

 

Daily Hat Track: April 21 (The Future Sound of London – Point of Departure): For the Easter Daily Hat Track, I give you the first immersive track off of this album I just discovered by this artist I just discovered. Gonna be listening to more of this as I wash the dishes.

 

Daily Hat Track: April 22 (Neuromonakh Feofan – Нейромонах Феофан): Another Neuromonakh Feofan song because why not, they’re addicting. This is their titular song. Titular as in named after that artist, not the album. One of their best.

 

Daily Hat Track: April 23 (Chris Keya – Totentanz): One of the many highlights of this week’s Discovery Weekly. Solid drumbeat. Plenty of great guitar rocking throughout. Plus a couple of good melodies to jam to.

 

Daily Hat Track: April 24 (OVERWERK & Nikon – Calling): OVERWERK and Nikon are a great combination that gets better with each iteration. The most recent iteration of yesteryear being this agnostically themed track with the best Arpwerk from I’ve even heard from OVERWERK

 

Daily Hat Track: April 25 (VNV Nation – Space & Time): One of my very first VNV Nation songs continues to also be one of my very favorites. Really captures the beauty of the chaos of this world. Spoke to me quite well when I’d discovered it 3 years ago and it still does.

 

Daily Hat Track: April 26 (Mazmoneth – Kali’s Day Off): As this day comes to a close, may I introduce some odd ambience to end your day. A few melodies too. Ok actually there’s a lot of interesting stuff in this song and it develops greatly over time so I’m gonna stop listing it all.

 

Daily Hat Track: April 27 (OVERWERK & Mars – Know): Another OVERWERK track today. This is the runner-up to Calling on the State album and the best non-Nikon song. There’s a bit more darkness and doubt in this one despite being called “Know.” Great groove in places too.

 

Daily Hat Track: April 28 (Stonebank & EMEL – Stronger): Stonebank released a new song recently and for some reason, as I was listening to it I really wanted there to be a surprise DnB drop added in there towards the end. It didn’t happen so I had to listen to my fav from him again.

 

Daily Hat Track: April 29 (Ace Ventura & Antimony – We Dream): We Dream. It’s who we are. Best psytrance if the past week. Some inspiring relatable vocals (I’m definitely dreamer) and a great mysterious sound that feels both familiar and unique at the same time.

 

Daily Hat Track: April 30 (Neelix & Caroline Harrison – Makeup): 4 months in and I still haven’t shared my favorite song of all time? This psytrance masterpiece has such an intricate hidden message that I just don’t have the room to fully analyze it in a tweet. I’ll have to review it someday.

 

 

 

Full Daily Hat Tracks 2019 playlist here:

 

https://open.spotify.com/user/beretbeats/playlist/4CIZYAQAzctqYqFG89HIv2?si=8wlLYj9RQmOw_1JrDn2TAw

 

Daily Hat Track Roundup: February 2019

It was here that Tuesday Newsday ended, but we don’t talk about that. This is just the February Daily Hat Track roundup post. Nothing more.

 

Daily Hat Track: February 1 (King Gizzard & the Lizard Wizard – Cyboogie): Cyboogie walks a surprisingly thin line between a fun groovy vibe an oddly ominous vibe slinking along I’m the background.

 

Daily Hat Track: February 2 (Kick Bong – This Charming Violin (TPOT remix): End of a long unfortunately unproductive day. So today I’ll just mention the song having a food vibe and some beautiful violins and female vocals. It truly is quite a lovely track.

 

Daily Hat Track: February 3 (Ashbury Heights – Spiders): Remember the all too edgy Ashbury Heights album from a couple weeks ago? Here’s a song that’s a step in the right direction of edge. Actually the track that introduced me to the duo (with revolving door of female vocalists).

 

Daily Hat Track: February 4 (Myndflame – Club Thrall): I didn’t get far into my Discovery Weekly due to download troubles but this song in particular had a good drive and variety to it. That’s about all I have to say about it at the moment though.

 

Daily Hat Track: February 5 (Electric Universe, Hilmar & Chico – Rockers and Rollers): The moment I see an Electric Universe song I think psytrance. The moment I see the song title referencing rock n roll I think kick-ass guitar sections. This song delivers on both counts and I love it.

 

Daily Hat Track; February 6 (Bliss & Alex Berserker – Warriors Guitar Mix): A couple days ago I shared a psytrance song with some rocking guitars. Well, today I’m sharing THE psytrance song with rocking guitars. This eleven minute experience is well with your time.

 

Daily Hat Track: February 7 (Infected Mushroom i-wish (Acoustic Live Remix)): Each time, I listen to this acoustic version of I Wish, I like it more and more. It used to be my least favorite from IM21 pt 1, but now it’s second favorite right behind Bliss’ remix of Bust a Move (which is unbeatable).

 

Daily Hat Track: February 8 (Mind.in.a.box – Amnesia): Today I’m just going to throw back the song that introduced me to my current favorite artist. Really pulled me into the computerized vocals and the existential themes. Probably one of my best musical discoveries of all time.

 

Daily Hat Track: February 9 (Infected Mushroom – Dancing with Kadafi): I’ve shared a lot of long songs as of late, but I consider this one to be the epitome of journeys through sound. It’s an absolute classic.

 

Daily Hat Track: February 10 (The Anix – TECHUNTER): Only just finished up Friday’s Release Radar and this nearly cinematic technological wonder was one of the last ones in the playlist. It’s also the best one in the playlist.

 

Daily Hat Track February 11 (Eisfabrik – Walking Towards the Sun): Actually got all the way through my Discovery Weekly in one day (which is rare). And this was bothering the grooviest and most inspiring of the bunch. It’s not often that you find such good futurepop with an uplifting vibe.

 

Daily Hat Track: February 12 (Mind.in.a.box – Redefined): I have no words right now or too many words. Either way, I’d forgotten how great this song is (definitely one of my all time favorites). Music and lyrics are dense with power and meaning and you should listen to it right now

 

Daily Hat Track: February 13 (Infected Mushroom – Frog Machine): Does this track make anyone else envision a giant monstrous frog throwing it’s little normal frog coworkers into a fiery furnace before usurping it’s boss that happens to be a corpse of bones lying in the corner? Just me? Ok.

 

Daily Hat Track : February 14 (Infected Mushroom – In Front of Me): Not much to say about this one. It’s just resonating a bit too much with me right now. Every line is filled with relatable existential anguish.

 

Daily Hat Track: February 15 (Worakls – Cloches): Worakls and his Hungry Music fellows are always a treat to listen to. Therefore this is one of my favorites of this week’s Release Radar.

 

Daily Hat Track: February 16 (Infected Mushroom – Return to the Suace): Here’s another song that makes me visualize a music video except this one makes less sense because it’s a sea voyage adventure involving a sea serpent and a time distortion device. My imagination is vividly random.

 

Daily Hat Track: February 17 (Infected Mushroom – Demons of Pain): I usually tend to listen to the remix from the Return to the Sauce album, but my love doe the existential original still holds today. I may have been listening to too much Infected Mushroom lately though.

 

Daily Hat Track: February 18 (Kick Bong (Progress in Happiness Remix)): Here’s a funky groove of happiness from Kick Bong for yesterday’s Daily Hat Track. Sleep schedule adjustment is making me forgetful.

 

Daily Hat Track: February 19 (Scatman John – U-turn): Didn’t really listen to Scatman when he was alive, but I have been enjoying his music for quite a few years nonetheless. This one about healing one’s soul with a new beginning is the most applicable to my life at the moment.

 

Daily Hat Track: February 20 (OVERWERK – Reign): I’ll admit I’m really only into this one for the bassline. It has a good groove overall, but the bassline is what makes it.

 

Daily Hat Track: February 21 (Infected Mushroom – Saeed): I already knew this was my favorite Infected Mushroom song, but after relistening to it today. It’s even better than I remember. Every moment in this track, be it lyrical or musical, is incredibly powerful.

 

Daily Hat Track: February 22 (Electric Universe – Dragonfly): Psytrance songs named after winged insects are good ok? What else is there to say?

 

Daily Hat Track: February 23 (Andy Hunter – Go): Andy Hunter was my first electronic artist. Go was his first song. If you’re guessing I have some nostalgia attached to this song, you couldn’t be more right.

 

Daily Hat Track: February 24 (Liquid Soul – Hypnotic Energy (Pitch Bend Remix): As I was scouring through this week’s Release Radar in search or tracks worthy of mentioning for Newsday Tuesday this fresh psytrance track proved to be the most worthy.

 

Daily Hat Track: February 25 (The Luna Sequence – Veil Walled Garden): Today’s Discover Weekly reminded me how awesome The Luna Sequence is at blending electronic and rock elements. All of her stuff definitely has an energetic vibe to it.

 

Daily Hat Track: February 26 (Andy Hunter – Sandstorm Calling): An Andy Hunter classic. One of the two nonlyrical songs on the Exodus album. Definitely feel some nostalgia listening to this.

 

Daily Hat Track: February 27 (Ayria – Feed Her to the Wolves): Isn’t it great when you discover an oddly catchy song during lunch and have to spend the rest your workday trying not to sing of how you had a woman eaten alive wolves and then displayed her body to intimidate your enemies?

 

Daily Hat Track: February 28 (Carpenter Brut – Paradise Warfare): Carpenter Brut is great but Carpenter Brut with a saxophone? Mmmmmmm

 

Remember to follow Twitter for a new Hat Trac every day and to take a look at the Daily Hat Track Playlist linked below.

 

https://open.spotify.com/user/beretbeats/playlist/4CIZYAQAzctqYqFG89HIv2?si=hzGhZDDaRV6bgotZiPxheA

 

One last thing. I wanted to apologize for missing the review last Friday. As I’d mentioned on twitter I ended up having to take the week off due to health issues but I’ll be putting extra effort into keeping on track for these reviews from now on (Getting rid of Tuesday Newsday should help