Infected Mushroom – The Gathering (1999 Album)

 

Album Links:

Bandcamp: n/a

Soundcloud: https://soundcloud.com/infectedmushroom/sets/the-gathering

Spotify: https://open.spotify.com/album/5Oqb46QRDn3RpaWToqjuzk?si=jJX7-ah6QSKo4jguVbzpDg

Youtube: https://www.youtube.com/playlist?list=OLAK5uy_lNUOtcibniKkj1nQRqI4rpZOG0tRpTpec

 

Foreword: Oh dear, the cover art for this album is a slight bit more risqué than I remember what with the thorny bosom and the upskirt mushroom with a phallic stem… What a lovely first impression I’ve made on you all… Well, this was the initial impression Infected Mushroom made to the world and they’re currently at the top of my favorite artists of all time, so hopefully this initial impression of myself has a similar effect, though perhaps becoming your favorite music reviewing hobbyist is getting a bit ahead of myself. I am, after all, only getting started. And for my first review, I’d like to start, fittingly at the beginning of one of my favorite artists of all time.

 

Infected Mushroom – Release Me (7.5/10): Release Me is a great opening track to The Gathering for multiple reasons. I feel it does a good job of introducing the dark and somewhat ominous tone that resonates throughout this album. This tone wouldn’t last the entire Infected Mushroom discography, and I will admit that I prefer their last decade or so a bit more, but it is still a well-done introduction. Also, the fact that the front song of their first release is literally titled “Release Me” is rather amusing, regardless of whether it was intentional or coincidental.

 

Now at eight and a half minutes long (normal length for an Infected Mushroom song to be fair), this song has a lot of space to fill, hopefully with a variety of patterns, be they basslines or melodies. We, of course, have the psytrance drumbeat driving the song forward from beginning to end. That’s a given on this album and shan’t be mentioned again. Besides that, we have some good guitar riffs in the first half of the song as well as some strings providing the groundwork of the ominous vibe that the duo was likely going for. My personal favorite moment of the song is the slightly calmer section with the strings at the song’s midpoint. The tone at the beginning of this section as well as the harp in the middle just provide a nice bit of flavor that’s always needed in these longer songs.

 

Lastly, just a quick nod to the namesake of this song, a sample from the alien interrogation scene of Independence Day. Many of the songs on this album feature little clips like that. Independence Day is the only one I’ve seen and while this sample does fit in with the vibe of the song, I don’t really have any further thoughts on it.

 

Infected Mushroom – The Gathering (6/10): The titular track of the album is a slight step down from Release Me. Not saying it’s a bad song. But it is certainly one of the lesser songs of the album. There’s simply less to offer in my opinion. Yes, it’s still a decent psytrance song with the little distorted splashes of style that one would expect from Infected Mushroom, but very little of the song actually interests me. There’s some decent percussion here and there and I do enjoy the section around the 5-minute mark with what I believe is a marimba, but there’s very little to make this song stand out from the rest.

 

Even the vocal sample in this case is rather bland, perhaps even detracting from the quality. I would assume that these vocals (which apparently comes from Grand Theft Auto), were not originally recorded at the pitch you are hearing right now. Infected Mushroom likely distorted it to their liking. And while I absolutely adore the way they play with vocals in modern days, this pitch-up is rather uninteresting at best and slightly annoying at worst.

 

Infected Mushroom – Return to the Shadows (8/10): Return to the Shadows is, in my opinion, the most memorable track from Infected Mushroom’s debut album. Perhaps it’s the ominous ringing synth played at the beginning of the song. Perhaps it’s the percussion that sounds like a clanging of metal accompanied by the yells of men hard at work. Or perhaps it’s how they play with the bassline throughout the song. Every melody that’s played feels like it branches well off of the bassline and it all meshes together quite well. However, the melody that stands out the most is perhaps the one that also differs from the bassline the most. At the six-minute mark, the drums fade out to reveal nice funky pattern of notes that contrast a bit more than usual from the bassline.

 

And then there’s the sample hailing from Star Trek VI: The Undiscovered Country: Are you afraid of the future? A common fear, I must say. Or at least, it’s a fear I happen to have. I always find myself wondering exactly what my future has in store for me, but I’m never quite certain if success is awaiting me or if I’m always edging on towards a spiral of failure. And before I ramble on into endless existential mode, perhaps we should move on to the next song…

 

Infected Mushroom – Blue Muppet (6.25/10): This is one of the lower points of the album to be perfectly honest. Once again, not a bad thing, just not quite as enjoyable as the rest. The main reason for this is that for the first 6 minutes of the song, I really am not hearing anything of note to talk about. Nothing that makes this song stick out to me. Well that is until we get to the sample from what I’d assume to be a favorite movie of the Infected Mushroom duo (it appears two other times on the album), The Island of Dr. Moreau. The sample itself isn’t what improves the song. It’s the guitars that follow that bring the song back to the good quality I’d usually expect from Infected Mushroom.

 

Infected Mushroom – Psycho (6/10): I remember this being one of the first classic trance Infected Mushroom songs I heard when I first discovered them. This was likely due to the fact that my edgy teenaged mind was as attracted to the title, “Psycho” as it was to the title, “Becoming Insane” (my first Infected Mushroom song overall, but I’ll cover that much later). Oh, who am I kidding. The person I am in my twenties is still incredibly attracted to edgy stuff, perhaps even more so.

 

Interestingly enough, despite this being the first song I’ve heard in this album, it’s also probably one of the least memorable. Only part of the song that really jogs my memory at all is the screaming of the word, “Psycho.” To count that might be cheating though, as that’s the title of the song. I can see why I don’t remember much of anything else though. While this album is enjoyable to listen to, a lot of the songs sound quite similar except for a few small differences here and there depending on the song. This song doesn’t really have any such differences. There’s some ambiance that sounds like a plethora of sci fi doors opening and closing. Judging from the information I’ve scrounged up from Wikipedia. I’m guessing these sci fi doors samples come from Star Trek: First Contact. The means that the Psycho scream comes from Batman and Robin. As the uncultured swine I am as far as cinema goes, I am unsure what to do with this information.

 

Infected Mushroom – Montoya Rms (7.5/10): I will not be speaking of any of the samples that appear in this song. For this time around, Infected Mushroom forgoes any vocals and simply takes me and any others who might be listening on a splendid journey over the course of about eight minutes. What makes this song work so well for eight minutes is the amount of variety compared to everything else we’ve heard so far. Yes, each of the songs (except perhaps Psycho) have some bit of flavor that helps differentiate it from other songs on the album, but Montoya Rms goes all out and makes every single moment stand out from the rest. I am unable to truly choose a favorite moment to point out nor do I desire to go over each and every one of these elements one by one. Not only would this be a tedious task, but it might just take away from the enjoyment of this song. Half the fun is wondering exactly where the song will go next and letting every intricacy of every melody flow through your soul. Perhaps I am overselling it a bit, but I would highly recommend listening to it for yourself. One of the best songs this album has to offer.

 

Infected Mushroom – Tommy The Bat (7.25/10): Of the nine songs on this album, I feel that Tommy The Bat resembles the vibe of modern Infected Mushroom the most. Oh, it’s still drastically different. But there are elements in this song, that Infected Mushroom has played with in similar ways to this very day. The most notable of these elements is certainly the distorted vocals. Yes, I did mention that the titular song of this album had distorted vocals as well. But that was just high pitched talking. Here, Infected Mushroom chops up the vocals (apparently from a song called Tommy The Cat by Primus), spreads them across the song, and adjusts their pitch to create an entirely new melody. Much of the rest of the song is a few steps closer to modern Infected Mushroom as well. A good example would be the bass at the beginning of the song that’s a bit slower paced, focusing on distorting the sound more than playing the notes rapidfire.

 

The sample which again comes from The Island of Dr. Moreau. states “Please tell them that I am God.” An ominous prideful statement that given the right fire, could spark a theological debate, but I believe that’s too large of a jump in the flow and tone of this review and I’d rather not wander too far into existential territory yet, so perhaps I’ll cut myself short and move on to the next song…

 

Infected Mushroom – Virtual Voyage (5.75/10): Virtual Voyage is a fantastic song name. I like to go on several virtual voyages myself. Or at least that’s what I like to call them. In reality a better description would be lapses into procrastination on the internet, but eh, it’s something I’m working to overcome. Regardless, Virtual Voyage is unfortunately another run of the mill song with very little to specifically note. I did expect to have a few of these while jumping into this review. Unfortunately, I am not prepared to figure out what to say about such songs. I could very well copy most of what I had said about Psycho. The song simply doesn’t have enough unique about it for me to pick it out among the rest of the songs on this album. In fact, this song is even worse off as it has neither any unique ambiance to it, not does it have any memorable vocal samples of someone screaming “Psycho!” There are some parts that diverge from the pattern here and there. A slight melody graces us with its presence about midway through the song but it’s not particularly memorable as it fades away from my memory as soon as it’s over (and it’s honestly, not the most graceful melody to begin with Overall, this is a relatively average song that could have come from any psytrance artists in the 90s

 

Infected Mushroom – Over Mode (5.5/10): Over Mode serves as the closing song to The Gathering. I’m honestly not a huge fan of this one. Not only does it not serve its space well with any unique pleasures to make it stand out from the rest of the songs, but there is also something I find a bit bothersome about this one. And unlike The Gathering, which only bothered me with the occasional pitched vocals. This annoyance is a bit more constant. For a good half of Over Mode, I find myself subjected to the sound of something clinking against glass. Almost as if this song is perpetually calling for a toast that never comes unless perhaps this toast is in dedication to there being “no more scientists, no more laboratories, and no more experiments”. Then again if that were the case, then the clinking would stop after this last Dr Moreau sample was voiced. It does not stop. It keeps going. I will admit that there is still a significant amount of time absent of this clinking, but its presence is still quite irritating to say the least and holds this song back.

 

The rest of the song is relatively decent, not exactly exceptional, but not quite as underwhelming as Psycho or Virtual Voyage either. There’s a fair amount variety to it that allows it to stand out in pleasant ways. The section starting around five and a half minutes into the song with the wavering melodic synth is particularly enjoyable. However, all of this is, again, held back by the clinking, which unfortunately makes it my least favorite song on the album.

 

Conclusion: Over all, The Gathering is a fair debut album for Infected Mushroom though it is admittedly a mixed bag. For every great song on the album, there’s one I’d consider to a bit more average for one reason or another. Still, the album has aged well enough despite being over two decades old. Over those two decades, Infected Mushroom has changed and grown, transforming their music into something new again and again, and while I may prefer later iterations of their style, it is still an enjoyable experience to come back and look at where it started.

 

Final Score: (6.5/10)

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